Sculptural Play by: Lune 1860
We invited Lisa Mok, artistic director and co-founder of Lune 1860, to conceptualize a series of sculptural settings inspired by the STOFF Nagel designs and the atmospheric language of the wedding table.
Lisa Mok is a prolific creative director, with an innate understanding of what we all want to look at and feel inspired by. Through Lune 1860’s immersive experiences, visual storytelling and design, Lisa is redefining what it means to celebrate the most memorable moments in our lives.
What inspired you to start Lune 1860, and how did weddings become a central focus?
Lune began as something my husband and I felt we were stepping into rather than building. We imagined it as a world people could move through and feel slightly changed by, part gallery, part home, and part dream. At its core, it was about slowing down and noticing the small, meaningful moments. Weddings naturally became a central focus because they hold that same emotional depth. They are spaces where people are most present and open, which felt like a natural extension of what Lune is. Over time, it has become something more collaborative, shaped by the people and conversations within it. That feels more true to what it is now than anything we originally imagined.
What are the key elements that make a tablescape feel elevated rather than overdone?
A single variety of anything, repeated. That’s usually where I start. One element with purpose, repeated to create rhythm rather than layering multiple ideas. Nothing should compete for attention — it should feel composed but never precious. That singularity is deliberate, because ultimately the people should always be the tablescape’s greatest accessory.
What’s one unexpected detail that instantly elevates a wedding table?
Removing the floral element entirely. The absence of the expected thing becomes the detail. It forces everything else to work harder and usually reveals how considered the rest of the table actually is.
“Ultimately the people should always be the tablescape’s greatest accessory.”
– Lisa Mok, Lune 1860
